My Uncle forgot to roll up the window to his truck, and we found this little guy inside.
He hates you.
He hates everything.
But especially you.
that owl is almost entirely head. Head and hatred.
IT’S SO CUTE
HEAD AND HATRED
I want to love him.
such a needed campaign. i wish they’d have included native americans as well, though, as cultural appropriation of them in costumes is just as awfully common.
It’s that time of year again when these go around. And I will keep reblogging them. And if I see the joke ones I am likely to rip them apart with prejudice.
I will reblog this every year and unfollow anyone who posts joke fandom spinoffs of this very serious and important commentary.
Janet Mock, Redefining Realness (via ceedling)
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!
OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.
LETS APPLAUD CAROL ROSSETTI EVERYONE
They just keep going. It’s so beautiful
i guess the real question is how can you not like tesla
he thought women would eventually rule the world because we’re the dominant sex
he liked pigeons
he was a vegetarian
he was a babe
he was shy
he hated edison
Yup, as long as you’re ok with that time he went bonkers and tried to build a death ray.
Are you serious the death ray was the best part